Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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Rembrandt Peale
The Incredulity of St Thomas

ID: 84818

Rembrandt Peale The Incredulity of St Thomas
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Rembrandt Peale The Incredulity of St Thomas


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Rembrandt Peale

1778-1860 Rembrandt Peale Galleries Rembrandt Peale (February 22, 1778 ?C October 3, 1860) was a 19th century American artist that received critical acclaim for his portraits of presidents George Washington and Thomas Jefferson. Although modern art critics would consider Peale??s artwork as French neoclassical, its dark and stylized characteristics are similar to 15th and 16th century paintings. Rembrandt Peale was born the third of six surviving children (eleven had died) to his mother, Rachel Brewer, and father, Charles Willson Peale in Bucks County, Pennsylvania, on February 22, 1778. The father, Charles, also a notable artist, taught each child to paint scenery and portraiture, and Rembrandt was no exception. Charles tutored Rembrandt about the importance of having a strong mind from learning arts and sciences. At the age of eight, Rembrandt discovered drawing, and at thirteen, painted his first known self-portrait. Later on in his life, Rembrandt Peale "often showed this painting to young beginners, to encourage them to go from 'bad' to better..." like his steady progressions to become a successful portraitist. A year after his mother??s death and remarriage of his father, Rembrandt Peale left the school of the arts, thereby applying his time to completing his first ever self-portrait at the age of 13. The canvas illustrates early mastery of a young aspiring artist, seeming very mature. The clothes, however give the notion that Peale over-exaggerated what a 13 year old would look like. This style demonstrates early forms of neoclassicism by the looks of Peale's angel-like hair, the way it waves and curls in such a fashion so as to depict an angel from a general Renaissance artist's works of art. In July of 1787, Charles Willson Peale introduced his son Rembrandt to George Washington, where the young aspirant artist watched his father paint the remarkable figure of the country. In 1795, at the age of 17, Rembrandt painted an aging Washington, though the painter had depicted the politician as far more aged than the original facial characteristics. It did, nevertheless attain praise and Rembrandt had begun his debut. At the age of 20, Rembrandt married 22-year-old Eleanor May Short (1776-1836) at St. Joseph's Catholic Church in Philadelphia. During their marriage, Rembrandt and Eleanor had nine children: Rosalba, Eleanor, Sarah Miriam, Michael Angelo, and Emma Clara among them. In 1822, Peale moved to New York City where he embarked on an attempt to paint what he hoped would become the "standard likeness" of Washington. He studied portraits by other artists including John Trumbull, Gilbert Stuart and his own father, as well as his own 1795 picture which had never truly satisfied him. His resulting work Patriae Pater, completed in 1824, depicts Washington through an oval window, and is considered by many to be second only to Gilbert Stuart's iconic Athenaeum painting of the first president. Peale subsequently attempted to capitalize on the success of what quickly became known as his "Porthole" picture. Patriae Pater was purchased by Congress in 1832 and still hangs in the U.S. Capitol. Later on, Peale made over 70 detailed replicas of the same "father of our country", the first President of the United States. Peale continued to paint other noted portraits, such as those of the third president Thomas Jefferson while he was in office (1805), and later on a portrait of Chief Justice John Marshall.  Related Paintings of Rembrandt Peale :. | Portrait of a Woman with a Pink Carnation | Self-portrait | Portrait of a Woman with a Pink Carnation | Man in Oriental Costume | The Risen Christ Appearing to Mary Magdalen |
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Henry Moret
French Impressionist Painter, 1856-1913
Giovanni dal ponte
Italian Painter, 1385-1437 He was reputed to have been a student of Spinello Aretino. He acquired the name dal Ponte due to the location of his studio at Santo Stefano a Ponte, Florence. He joined the Arte dei Medici e degli Speziali in 1410 and the Compagnia di S Luca in 1413. Outstanding debts brought him a prison sentence in 1424, but he still owed money to a carpenter three years later. By the late 1420s he had opened his own studio and formed a partnership with the painter Smeraldo di Giovanni (c. 1365-after 1442). Giovanni dal Ponte's varied and prolific production, which continued until his death, included fresco cycles, panels and the decoration of small objects. A number of allegorical panel paintings and cassoni are attributed to him. The animated, stylized figures in the Seven Liberal Arts (1435; Madrid, Prado) are shown in a garden dotted with naturalistic flowers and plants. His early work shows the impact of the Late Gothic style.
Edward Arthur Walton
British Painter, 1860-1922 He trained at the Staatliche Kunstakademie in Desseldorf (1876-7) and Glasgow School of Art. One of the GLASGOW BOYS, he painted outdoors in the Trossachs and at Crowland, Lincs, with James Guthrie, Joseph Crawhall and George Henry. He also painted in W. Y. Macgregor's life studio in Glasgow. He joined the New English Art Club in 1887 and developed an atmospheric landscape style influenced by plein-air painting and by James McNeill Whistler with whom he was friendly during his stay in London (1894-1904); Autumn Sunshine (1884; U. Glasgow, Hunterian A.G.) is characteristic. Walton was a regular exhibitor from 1880 in both Glasgow, at the Institute of the Fine Arts, and Edinburgh, at the Royal Scottish Academy. He was elected an Associate of the Academy in 1889 and a full member in 1905, taking an active role in its affairs after moving to Edinburgh in 1904. He concentrated after c. 1885 on pastel and on watercolour, which he used notably in his Helensburgh and Kensington scenes of contemporary life. From 1915 he served as President of the Royal Scottish Water Colour Society. Oil was reserved largely for portraits in a Whistlerian style, such as the Artist's Mother.






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